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During the summer programs through high school, he took a class taught by the late poet, Maya Angelou.
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In sixth grade, he joined the band to play the clarinet, ultimately learning how to play an array of instruments, including the French horn, trumpet, trombone, saxophone and percussion.Ĭonsidered academically gifted, he was recruited in the eighth grade to participate in Project Ensure at Wake Forest University, which encouraged African American students to go to college, and to consider Wake Forest as one of those options. “My friends tell me, ‘You just know everything about everything.’” “I loved to know things, facts,” he said.
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His mother said he was serious, unless he was cutting up with his friends. That experience left an indelible mark on his upbringing, he said.ĩth says he felt like a “different kid,” always walking around with his Walkman headphones on. His mother was in a gospel choir, and when he spent time at his aunt and uncle’s house in Winston-Salem, he was exposed to R&B, soul - and his first rap song, “Planet Rock,” by Afrika Bambaataa & The Soul Sonic Force. His childhood provided him with his music education. And that’s what I appreciate about them.” And they made it plain to me, I don’t care who your mother is, I’m going to discipline you like I discipline everybody else’s child. “By the time I got to (school) at the age of 5, everybody knew who I was anyway. “The day I was born, probably every teacher in the school was at the hospital,” he said in a phone interview. Growing up in Midway, a town about 14 miles south of Winston-Salem, 9th says he was raised by a village of relatives, teachers and his friends’ parents. (She inspired the name of his Bright Lady Studios.) His older sister died in 1977, when he was just a few years old. The fact that people like him are being invited to the table, not just as a ceremonial thing, but to be involved - that’s big.” “That’s here, or the Kennedy Center or Harvard or wherever. “He knows if he and other folks are at the table, it’s being done in a way that is inclusive,” Burnside said. “He is a staunch supporter of hip-hop being in these institutional spaces,” said Timothy Anne Burnside, curatorial museum specialist at the National Museum of African American History and Culture. This month, he was inducted into the North Carolina Music Hall of Fame in Kannapolis. And he has been a supporter of the Smithsonian’s National Museum of African American History and Culture, providing input as curators assembled an exhibit at the Washington, D.C., museum. He is a member of the Kennedy Center Hip Hop Culture Council, alongside other luminaries like Q-Tip of A Tribe Called Quest and LL Cool J. Central University and Duke University and has taught classes at Harvard University through a fellowship with the W.E.B. Blige, among others - and has grown talent through his Jamla Records label, including Grammy-nominated Rapsody, also a North Carolina native.īut more than being a musician, he is committed to preserving hip-hop music, culture and history using the classroom as one of his platforms.
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He’s worked with a roster of A-list artists - Beyoncé, Kendrick Lamar and Mary J.
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In the 16 years since, 9th Wonder has become a Grammy-winning music producer and label CEO.